>Canciones >Ring Ring Ring (Ha Ha Hey)

Ring Ring Ring (Ha Ha Hey)

De La Soul

hip-hop/rap

Ring Ring Ring (Ha Ha Hey)
Reproducciones
0
Popularidad
40
Tiempo desde su lanzamiento
33.6 años
Fecha de estreno: 14/05/1991
Tempo
104
BPM
Compás
4/4
Tonalidad
La# menor
Duración
5:6
Camelot
3A

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Vídeo

Letra

Yes, this is Miss Renee King from Philadelphia. I want you to give me a call on area code 215-222-4209 And I'm calling in reference to the music business. Thank you. Hey how ya doin' Sorry ya can't get through Why don't you leave your name and your number And I'll get back to you Hey how are ya doin' Sorry ya can't get through But leave your name and your number And I'll, get back to you Once again it's another rap bandit Fiending at I and I can't stand it Wanna be down with the Day-Glo Knocking on my door, saying, "a yo yo" Knocking on my door, saying, "a yo yo" I got a funky new tune with a fly banjo I can't understand what the problem is I find it hard enough dealin' with my own biz How'd they get my name and number? Then I stop to think and wonder Bout a plan, "yo man I gotta step out town You wanna call me up? Take my number down It's 222-2222 I gotta answering machine that can talk to you It goes" Hey how ya doin' Sorry ya can't get through But leave your name and your number And I'll get back to you Yo, check it, exit the old style, enters the new But nothing's new 'bout being hawked by a crew Or should I say flock cause around every block There's Harry, Dick, and Tom, with a demo in his palm Now I'm with helping those who want to help themselves And flaunt a nut that's doggy as in dope But it's not the mood to hear The tales of limousines and pails Of money they'll make like a pro I be like, "Yo black, just play me the tape" But at the show the time to spare I just make But the songs created in they shacks Are so wick-wick-wack, situations like this And now I hate they give me smiles Kool-Aid wide and ask "Was it def?" And with the straightest face I be like, "hell yes." I slip them the digits to Papa Prince Paul So I don't go AWOL but yet I know when they call they get Hey how ya doin' Sorry ya can't get through Why don't you leave your name and your number And I'll get back to you Hey how are you doing Sorry ya can't get through Why don't you leave your name and your number And I'll get back to you Party at the dug-out on Diction Ave Haven't been to the jam in quite a while Figure I'll catch up on the latest styles 'Stead piles and piles of demo tapes by the miles All I wanna do is cut on the decks wild But edition up here by the miles to the center Reliever of duty, Plug One moseys in And I be like, "Yo G, Pos does all the producing" Now woe is me to the third degree Mase pulls the funny so I make like a bunny, jettin' But I'm getting used to this demo abuse Getting raped and giving birth to a tape Cause there's no escape from the clutches of a hawker Attached to my success, sent like a stalker Make way to my radius playin' fly guy Try to get on my back they force like Luke Sky Me, Myself, and I go through this act daily And rarely do I not No matter how I dodge some jackal always nails me No matter what the plot And even out on tour they be like "Yo, I got a tape to play you back at the hotel" I be like, "oh swell" Unveil the numeric code to dial my room And tell them to call me at noon But of course there's no answering machine in my room But a pretty young adorer who I swung on tour And if it rings while we're alone she'll answer the phone And with the quickness she'll recite like a poem "Hey, you done did the right thing, dial up my ring ring Now you're waiting on the beep Say, I would love if you'd sing The tune to Tru instead of fronting on the speak." So no problemo, just play ya demo and at the end it's break out time Please oh please don't press rewind Cause I'll just lay it down the line Hey how ya doin' Sorry ya can't get through Why don't you leave your name and your number And I'll get back to you Hey how ya doin' Sorry ya can't get through Why don't you leave your name and your number And we'll get back to you, peace. 'Yo what's up man, this is Ronald Master down with the Fish Tank Posse, man, you know man, so you know you can just hook Me up, True. You know we got this fly new jam called 'Swimming In the Fish Tank', you know we gonna rock it man, you know What I'm saying, but I just need your help, Prince Paul gave me your Number, you know man, you just gotta do that for me Got this fly bassline, got these fly trombones in it man, so just hook Me up, man, just look out, all right, call me back At 557-2223 all right man, just look out, all right, look out for a Brother man!'

Características de Ring Ring Ring (Ha Ha Hey)

0.72
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.13
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.86
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.16
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-8.51
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.28
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.67
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).