>Canciones >Ain't No Half-Steppin'

Ain't No Half-Steppin'

Big Daddy Kane

hip-hop/rap

Ain't No Half-Steppin'
Reproducciones
0
Popularidad
52
Tiempo desde su lanzamiento
37.3 años
Fecha de estreno: 01/01/1988
Tempo
101
BPM
Compás
4/4
Tonalidad
La# menor
Duración
5:20
Camelot
3A

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Vídeo

Letra

Ah yeah, I'm with this I'm just gon' sit here laid back to this nice mellow beat, you know And drop some smooth lyrics 'cause it's '88 Time to set it straight, know what I'm saying And ain't no half stepping, word, I'm ready Rappers stepping to me, they want to get some But I'm the Kane, so yo, you know the outcome Another victory, they can't get with me So pick a BC date 'cause you're history I'm the authentic poet to get lyrical For you to beat me, it's gonna take a miracle And stepping to me, yo that's the wrong move So what you on, Hobbs, dope or dog food? Competition, I just devour like a pitbull against a Chihuahua 'Cause when it comes to being dope, hot damn I got it good, now let me tell you who I am The B-I-G D-A-double D-Y K-A-N-E Dramatic, Asiatic, not like many I'm different, so don't compare me to another 'Cause they can't hang, word to the mother At least not with the principal in this pedigree So when I roll on you rappers, you better be ready to die Because you're petty, you're just a butter knife, I'm a machete That's made by Ginzu, wait until when you try to front So I can chop into your body Just because you try to be basing Friday the 13th I'mma play Jason, no type of joke, gag, game, puzzle or riddle The name is Big Daddy, yes, Big not little So define it, here's your walking papers, sign it And take a walk as the Kane start to talk, 'cause Ain't no half-steppin' I'm the Big Daddy Kane Ain't no half steppin' I'm the Big Daddy Kane Ain't no half steppin' I'm the Big Daddy Kane My rhymes are so dope and the rappers be hoping To sound like me, so soon I'll have to open A school of MCing, for those who want to be in My field in court, then again on second thought To have MC's coming out sounding so similar It's quite confusing for you to remember The originator, and boy do I hate a perpetrator But I'm much greater, the best Oh yes, I guess suggest the rest should fess Don't mess or test your highness Unless you just address with best finesse And bless the paragraph I manifest Rap Prime Minister, some say sinister Non-stopping the groove, until when it's the climax And I max, relax and chill Have a break from a take of me acting ill Brain cells are lit, ideas start to hit Next the formation of words that fit At the table I sit, making it legit And when my pen hits the paper, ah shit I stop and stand strong over MC's And devour with the power of Hercules Or Samson, but I go further the length 'Cause you could scalp my cameo and I'll still have strength And no, that's not a myth, and if you try to riff Or get with the man with the given gift of gab Your vocab, I'll only ignore Be sleeping on your rhymes 'til I start to snore You can't awake me or even make me Fear you, son, 'cause you can't do me none So think about it if you're trying to go When you want to step to me, I think you should know that Ain't no half-steppin' I'm the Big Daddy Kane Ain't no half steppin' I'm the Big Daddy Kane Ain't no half steppin' I'm the Big Daddy Kane I appear right here and scare and dare A mere musketeer that would dare to compare Put him in the rear, back there where he can't see clear Get a beer, idea or near stare, yeah So on to be, want to be competition Trying to step to me, must be on a mission Up on the stage is where I'ma get you at You think I'm losing? Psst, picture that Ain't no half steppin' Ain't no half steppin' Ain't no half steppin' Ain't no half steppin' Mister Cee, step to me The name is Big Daddy, you know, as in your father So when you hear a def rhyme, believe that I'm the author I grab the mic and make MC's evaporate The party people say, damn, that rapper's great The creator conductor of poetry Et cetera, et cetera, it ain't easy being me I speak clearly so you can understand Put words together like letter, man Now that's dictation, proceeding to my innovation Not like the other MC's, that are an imitation Or an animation, a cartoon to me But when I'm finished, I'm sure that you are soon to see Reality, my secret technique Because I always speak with mentality I put my title in your face, dare you to base And if you try and come get it, yo, I'ma show you who's with it So if you know like I know, instead of messing around Play like Roy Rogers and slow down Just give yourself a break or someone else will take Your title, namely me because I'm homicidal That means murder 'cause I'm about to hurt another MC That try to get with me, I'll just break him and bake him and rake him And take him and mold him and make him Hold up the peace sign, Assalam Walaikum

Características de Ain't No Half-Steppin'

0.73
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.01
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.84
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.06
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-12.06
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.23
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.60
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).