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DUCKWORTH.

Kendrick Lamar

hip-hop/rap

DUCKWORTH.
Reproducciones
0
Popularidad
72
Tiempo desde su lanzamiento
7.7 años
Fecha de estreno: 14/04/2017
Tempo
175
BPM
Compás
4/4
Tonalidad
Sol mayor
Duración
4:9
Camelot
9B

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Vídeo

Letra

It was always me vs the world Until I found it's me vs me Why, why, why, why? Why, why, why, why? Just remember, what happens on Earth stays on Earth! We gon' put it in reverse Darling, I told you many times And I am telling you once again Just to remind you, sweetheart That my- Oh Lamar, Hail Mary and marijuana, times is hard Pray with the hooligans, shadows all in the dark Fellowship with demons and relatives, I'm a star Life is one funny mothafucka A true comedian, you gotta love him, you gotta trust him I might be buggin', infomercials and no sleep Introverted by my thoughts; children, listen, it gets deep See, once upon a time inside the Nickerson Garden projects The object was to process and digest poverty's dialect Adaptation inevitable: gun violence, crack spot Federal policies raid buildings and drug professionals Anthony was the oldest of seven Well-respected, calm and collected Laughin' and jokin' made life easier; hard times, Momma on crack A four-year-old tellin' his nanny he needed her His family history: pimpin' and bangin' He was meant to be dangerous Clocked him a grip and start slangin' Fifteen, scrapin' up his jeans with quarter pieces Even got some head from a smoker last weekend Dodged a policeman, workin' for his big homie Small-time hustler, graduated to a brick on him 10,000 dollars out of a project housing, that's on the daily Seen his first mil twenty years old, had a couple of babies Had a couple of shooters Caught a murder case, fingerprints on the gun they assumin' But witnesses couldn't prove it That was back when he turned his back and they killed his cousin He beat the case and went back to hustlin' Bird-shufflin', Anthony rang The first in the projects with the two-tone Mustang That 5.0 thing, they say 5-0 came Circlin' parking lots and parking spots And hoppin' out while harrassin' the corner blocks Crooked cops told Anthony he should kick it He brushed 'em off and walked back to the Kentucky Fried Chicken See, at this chicken spot There was a light-skinned nigga that talked a lot With a curly top and a gap in his teeth He worked the window, his name was Ducky He came from the streets, the Robert Taylor Homes Southside Projects, Chiraq, the Terror Dome Drove to California with a woman on him and 500 dollars They had a son, hopin' that he'd see college Hustlin' on the side with a nine-to-five to freak it Cadillac Seville, he'd ride his son around on weekends Three-piece special with his name on the shirt pocket 'Cross the street from the projects, Anthony planned to rob it Stuck up the place before, back in '84 That's when affiliation was really eight gears of war So many relatives tellin' us, sellin' us devilish works Killin' us, crime, intelligent, felonious Prevalent proposition with 9's Ducky was well-aware They robbed the manager and shot a customer last year He figured he'd get on these niggas' good sides Free chicken every time Anthony posted in line Two extra biscuits, Anthony liked him and then let him slide They didn't kill him; in fact, it look like they're the last to survive Pay attention, that one decision changed both of they lives One curse at a time Reverse the manifest and good karma, and I'll tell you why You take two strangers and put 'em in random predicaments Give 'em a soul so they can make their own choices and live with it Twenty years later, them same strangers, you make 'em meet again Inside recording studios where they reapin' their benefits Then you start remindin' them about that chicken incident Whoever thought the greatest rapper would be from coincidence? Because if Anthony killed Ducky, Top Dawg could be servin' life While I grew up without a father and die in a gunfight So, I was takin' a walk the other day

Características de DUCKWORTH.

0.73
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.05
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.55
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.26
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-6.87
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.61
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.63
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).