>Canciones >Hurricane

Hurricane

Bob Dylan

rock

Hurricane
Reproducciones
4
Popularidad
64
Tiempo desde su lanzamiento
49.0 años
Fecha de estreno: 16/01/1976
Tempo
136
BPM
Compás
4/4
Tonalidad
Do mayor
Duración
8:33
Camelot
8B

Reproducciones por cadena de radio

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Vídeo

Letra

Pistol shots ring out in the barroom night Enter Patty Valentine from the upper hall She sees the bartender in a pool of blood Cries out, "My God, they've killed them all!" Here comes the story of the Hurricane The man the authorities came to blame For somethin' that he never done Put in a prison cell, but one time he could-a been The champion of the world Three bodies lyin' there does Patty see And another man named Bello, movin' around mysteriously "I didn't do it," he says, and he throws up his hands "I was only robbin' the register, I hope you understand" "I saw them leavin'," he says, and he stops "One of us had better call up the cops" And so Patty calls the cops And they arrive on the scene With their red lights flashin' in the hot New Jersey night Meanwhile, far away in another part of town Rubin Carter and a couple of friends are drivin' around Number one contender for the middleweight crown Had no idea what kinda shit was about to go down When a cop pulled him over to the side of the road Just like the time before and the time before that In Paterson that's just the way things go If you're black you might as well not show up on the street 'Less you wanna draw the heat Alfred Bello had a partner and he had a rap for the cops Him and Arthur Dexter Bradley were just out prowlin' around He said, "I saw two men runnin' out, they looked like middleweights They jumped into a white car with out-of-state plates" And Miss Patty Valentine just nodded her head Cop said, "Wait a minute, boys, this one's not dead" So they took him to the infirmary And though this man could hardly see They told him he could identify the guilty men Four in the mornin' and they haul Rubin in They took him to the hospital and they brought him upstairs The wounded man looks up through his one dyin' eye Says, "Wha'd you bring him in here for? He ain't the guy!" Here's the story of the Hurricane The man the authorities came to blame For somethin' that he never done Put in a prison cell, but one time he could-a been A champion of the world Four months later, the ghettos are in flame Rubin's in South America fightin' for his name While Arthur Dexter Bradley's still in the robbery game And the cops are puttin' the screws to him, lookin' for somebody to blame "Remember that murder that happened in a bar?" "Remember you said you saw the getaway car?" "You think you'd like to play ball with the law?" "Think it might-a been that fighter that you saw runnin' that night?" "Don't forget that you are white" Arthur Dexter Bradley said, "I'm really not sure" Cops said, "A poor boy like you could use a break We got you for the motel job and we're talkin' to your friend Bello You don't wanna have to go back to jail, be a nice fellow You'll be doin' society a favor That sonofabitch is brave and gettin' braver We want to put his ass in stir We want to pin this triple murder on him He ain't no Gentleman Jim" Rubin could take a man out with just one punch But he never did like to talk about it all that much It's my work, he'd say, and I do it for pay And when it's over I'd just as soon go on my way Up to some paradise Where the trout streams flow and the air is nice And ride a horse along the trail But then they took him to the jailhouse Where they try to turn a man into a mouse All of Rubin's cards were marked in advance The trial was a pig-circus, he never had a chance The judge made Rubin's witnesses drunkards from the slums To the white folks who watched he was a revolutionary bum And to the black folks he was just a crazy nigger No one doubted that he pulled the trigger And though they could not produce the gun The D.A. said he was the one who did the deed And the all-white jury agreed Rubin Carter was falsely tried The crime was murder "one", guess who testified? Bello and Bradley and they both baldly lied And the newspapers, they all went along for the ride How can the life of such a man Be in the palm of some fool's hand? To see him obviously framed Couldn't help but make me feel ashamed to live in a land Where justice is a game Now all the criminals in their coats and their ties Are free to drink martinis and watch the sun rise While Rubin sits like Buddha in a ten-foot cell An innocent man in a living hell Yes, that's the story of the Hurricane But it won't be over till they clear his name And give him back the time he's done Put in a prison cell, but one time he could-a been The champion of the world

Características de Hurricane

0.83
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.04
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.51
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.12
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-7.71
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.08
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.74
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).