>Canciones >Doowutchyalike

Doowutchyalike

Digital Underground

funk

Doowutchyalike
Reproducciones
0
Popularidad
35
Tiempo desde su lanzamiento
34.7 años
Fecha de estreno: 26/03/1990
Tempo
218
BPM
Compás
4/4
Tonalidad
La mayor
Duración
8:54
Camelot
11B

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Vídeo

Letra

Ooh, I see guys and girls dancin', ooh, ooh Ooh, I see guys and girls dancin', ooh, ooh Now as the record spins around, you recognize this sound Well, it's the underground You know that we're down with wutchyalike Yeah, with wutchyalike, yeah And though we're usually on the serious tip, check it out: Tonight we're gonna flip and trip and let it all hang out tonight We're gonna say what we like 'Cause, yo, yo, we wanna know how many people in the flow Would like to just let yourselves go And doowutchyalike Yeah, well tonight's your night Just eat food, try not to be crude or rude Kill the attitude, chill the serious mood And doowutchyalike Yeah, and doowutchyalike Everybody doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Yeah, doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Just doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Yo, go whereyalike Ooh, I see, I see, I see guys and girls dancin', ooh, ooh I mean rich, poor, high, low, or upper-middle class, Let's all get together and have a few laughs And doowhatwelike Yeah, and doowhatwelike, yeah, and doowhatwelike And since you came here you gotta show and prove And do thatdance, until it don't move Doowutchyalike Sometimes I bite Now if you're hungry, get yourself something to eat And if you're dirty, then go take a bath Messed up the line? Nope, sometimes I don't rhyme Help yourself to a cracker, with a spread of cheddar cheese Have a neck bone, you don't have to say please Eatwutchyalike, yo, smellhowyalike Everybody doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Yo, doowutchyalike, you know what I'm sayin'? Ooh, I see guys and girls dancin', ooh, ooh Whatever you like to do... talkhowyalike Ooh, I see, I see, I see guys and girls dancin', ooh, ooh Just act a fool, it's okay if you drool 'Cause everybody's gonna strip, and jump in the pool And doowhatwelike, yeah, and doowhatwelike Homegirls, for once, forget you got class See a guy you like: just grab 'im in the biscuits! And doowutchyalike Now, red, white, black, tan, yellow, or brown It really doesn't matter, we can all get down And doowhatwelike, yeah, and doowhatwelike From a pink-skinned yankee, to a blue black southerner Ditch digger or a governor Just doowutchyalike Lookhowyalike Now don't you know we're gettin' busy, it can't be corrected Had to be deaf I say whatIlike Like I said, sometimes we bite Even though you don't think it's right Yo, I like to bite Just havin' fun y'all, and if you think that it's wrong You got to admit, it's a new type of song Doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Yeah, doowutchyalike Ooh, I see guys and girls dancin', ooh, ooh Yo, gowhereyalike Ooh, I see guys and girls dancin', ooh, ooh Yo, doowhoyalike Ooh, I see, I see, I see guys and girls dancin', ooh, ooh Alright, here we go, y'all Doowutchyalike Talkhowyalike Drinkwutchyalike Grabwhoyalike Feelwutchyalike Eatwutchyalike Scratchwhereyalike Itchifyalike (Daddy, can I go outside?) Ha, gowhereyalike, kid! Beep ...A brief announcement to all radio DJ's: If this record is currently Being played at your station, we will provide the following time for you To announce your station identification ...We'd also like to add that we've now reached the three-and-a-half Minute mark of this song. Radio stations may begin your fade here. For Those that would like help, we will start your fade for you... Beep ...Now if this records is being played a a club, disco, lounge, house Basement, or block party, car stereo, stoop, or at any other social Gathering, we will now allow the beat to continue, and proceed to give You more of what you like. This message has been brought to you by the Makers of the way we swing, and the underground talkhowyalike posse (Ah, ah, ah, I feel like a nice big bowl of cereal, icy cold milk) (Daddy, can I eat some ice cream?) (Look, I told you kid, eatwutchyalike, ok?) Now the beat goes on 'til the break of dawn And just peep this, y'all, 'cause we're singin' a song And doowutchyalike, yeah doowutchyalike And since you came here you gotta show and prove And do that dance, until it don't move And doowutchyalike Like I said, sometimes we bite Now we're all gettin' stupid, and actin' a fool Anything that ya really wanna do is cool So, Goldfingers, cutwutchyalike (Now let me tell you who I am... Ah shit...) Now if you're hungry, get yourself something to eat And if you're dirty, then go take a bath And doowutchyalike Stetsasonics, adjust for the hip-hop fans And since we're not your average everyday rap band Yo, Pianoman, playhowyalike Just act a fool, it's okay if you drool 'Cause everybody's gonna strip, and jump in the pool (Wait a minute, wait a minute, don't take your clothes off yet, not yet Wait 'til we get home) Now if you wear corrective shoes and you got big bunyons Toenails smell and look like onions Don't doowutchyalike-- Go see a foot doctor tonight! Yeah, yeah, yeah, everybody doowutchyalike Ooh, ooh, I see guys and girls dancin', ooh, ooh Yeah, doowutchyalike Ooh, ooh, I see guys and girls dancin', ooh, ooh Know what I'm sayin'? Just doowutchyalike Ooh, ooh, I see, I see, I see guys and girls dancin', ooh, ooh Ah, everybody doowutchyalike Ooh, ooh, I see guys and girls dancin', ooh, ooh Straight hair, curled, casual and glamor A shy girl, or loud like a bama From Connecticut, or from Louisiana Bad table ettiqutte, too much chatter Very well spoken, or real bad grammer I minority token, a brother in the slammer A free civilian with a house in Santa Ana If ya got a million, and live in Atlanta If you got a weak bladder, or can't climb a ladder What we're sayin' is, it really doesn't matter I need a word that sounds like "atta" Slipped on a peel of banana Doowutchyalike. (Yeah, cool, gettin' stupid, once again, you got the sound of the Underground. Baby dope is in the house.) (Boyyy!) (Are we puttin' things in check, Baby D?) (Too stupid check) (I'm wit' it. Yo Dave, let's show 'em some old school) It makes no sense just standin' around Come on everybody, let's all...(Hang out) Yeah, and doowutwelike From a lime to a lemon, a lemon to a lime Come on, young ladies, let's have...(Good times) And doowutwelike Now, I can sing, I can dance, I'm the king of romance Are you sweet young ladies gonna give me a chance To doowutchyalike? And get that thing packed tonight Vanessa Williams, ooh, you're so divine Just wanted to put your name in my rhyme And doowutchyalike Yeah, everybody doowutchyalike (Hey, how 'bout you and me just go in the back room right now? Ok? just Me and you) Ooh, ooh (Yo, don't take your clothes off, not yet) Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh (Gowhereyalike, and since you came here you gotta show and prove) I see, I see, I see guys and girls dancin' (Sometimes I blah, blah, blah, blah, blah, blah, blah, blah) I see, I see, I see guys and girls dancin' (If you're fat, hungry, dirty, and need to take a bath: go wash your feet) I see, I see, I see, I see, I see guys and girls dancin' I see, I see, I see, I see, I see guys and girls dancin' (Just buggin' in the place to be, you got the sound of Shock G) End the record howwelike!

Características de Doowutchyalike

0.73
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.03
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.60
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.12
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-8.53
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.50
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.79
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).