>Canciones >It Wasn't Me

It Wasn't Me

Shaggy Rik Rok

reggae

Reproducciones

Popularidad

Tiempo desde su lanzamiento

24.3 años

Fecha de estreno: 08/08/2000

Tempo

BPM

Compás

4/4

Tonalidad

Do mayor

Duración

3:48

Camelot

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Vídeo

Letra

(Yo man) Yo (Open up man) What do you want man? (My girl just caught me) You let her catch you!? (I don't know how I let this happen) With who? (The girl next door, you know?) Man... (I don't know what to do) Say it wasn't you (Alright.) Honey came in and she caught me red-handed Creeping with the girl next door Picture this we were both butt-naked Banging on the bathroom floor How could I forget That I had given her an extra key All this time she was standing there She never took her eyes off me How you can grant the woman access to your villa Trespasser and a witness while you cling on your pillow You better watch your back before she turn into a killer Best for you and the situation not to call the beaner To be a true player you have to know how to play If she say you're not, convince her say you're gay Never admit to a word when she say makes a claim And you tell her baby no way But she caught me on the counter "It wasn't me" Saw me banging on the sofa "It wasn't me" I even had her in the shower "It wasn't me" She even caught me on camera "It wasn't me" She saw the marks on my shoulder "It wasn't me" Heard the words that I told her "It wasn't me" Heard the screams getting louder "It wasn't me" She stayed until it was over Honey came in and she caught me red-handed Creeping with the girl next door Picture this we were both butt-naked Banging on the bathroom floor I had tried to keep her from what she was about to see Why should she believe me when I told her it wasn't me Make sure she knows it's not you and lead her on Da right prefix whenever you should see her make da giggolo flex As funny as it be by you, it not that complex Seein' is believin' so you better change your specs You know she not gonna be worrying bout things from the past Hardly recollecting and then she'll go to noontime mass Your answer: go over there but if she pack a gun You know you better run fast But she caught me on the counter "It wasn't me" Saw me banging on the sofa "It wasn't me" I even had her in the shower "It wasn't me" She even caught me on camera "It wasn't me" She saw the marks on my shoulder "It wasn't me" Heard the words that I told her "It wasn't me" Heard the screams getting louder "It wasn't me" She stayed until it was over Honey came in and she caught me red-handed Creeping with the girl next door Picture this we were both butt-naked Banging on the bathroom floor How could I forget That I had given her an extra key All this time she was standing there She never took her eyes off me Gonna tell her that I'm sorry for the pain that I've caused I've been listenin' to your reasonin' It makes no sense at all We should tell her that I'm sorry for the pain that I've caused You may think that you're a player But you're completely lost Honey came in and she caught me red-handed Creeping with the girl next door Picture this we were both butt-naked Banging on the bathroom floor How could I forget That I had given her an extra key All this time she was standing there She never took her eyes off me

Características de It Wasn't Me

0.61

Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.06

Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.85

Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00

Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.31

Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-4.60

Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.07

Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.65

Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).