>Canciones >Keisha & Becky (Remix)

Keisha & Becky (Remix)

AitchSwarmzRuss MillionsTion WayneSav'oJAY1

hip-hop/rap

Keisha & Becky (Remix)
Reproducciones
0
Popularidad
58
Tiempo desde su lanzamiento
5.7 años
Fecha de estreno: 11/04/2019
Tempo
141
BPM
Compás
4/4
Tonalidad
Fa# mayor
Duración
4:13
Camelot
2B

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Vídeo

Letra

Very sexy, Keisha, Becky Mhm-mhm, mhm-mhm, mhm-mhm Pull up, pull up and dump off, dump off Twist up your waist and jump off, jump off Free up, free up that number Oh my God, look at that bumper Wha' the bomba? (Mhm-mhm) Drip like my chain, shake that ass, it's insane Very sexy, Keisha, Becky Like baby stop it, everything's mad if I slap this rocket (Bullet) Fit like ten bags in Amiri pockets (Racks) I love this shit, I can't stop it Baby, arch your back and slide on it Try hit chest, necks, belly or back Manna big man, twenty racks on tax Very sexy, yelly, Steffy (Bullet) Baby shake up your bum-bum (Shake it) Don't have sex without condoms (Nah) Cali spliff looking Hong Kong (Loud) I don't pipe babe, that's my don-don Very selective, select it corn, eject it The way he ran off, he meant it (Gone) Yo, both hands on the back when I tap it Grab it and slap it, Becky a savage Lemme show you a magic trick You can have this dick after that man vanish Two MILFs in a whip Bro-bro said he wanted a bit, told him he can manage This baby face an advantage Man still show a big girl what a man is Give her my screw face, she caught me staring What do you expect when your skirts so short? Out here twerking, gone past caring She went out cheating, the girl got caught Stepped in the place all shiny I don't have a chain, man glow when I walk Don't phone if you're wasting my time Got me changing my number 'cause I don't wanna talk Pull up, pull up and dump off, dump off Twist up your waist and jump off, jump off Free up, free up that number Oh my God, look at that bumper Wha' the bomba? (Mhm-mhm) Drip like my chain, shake that ass, it's insane Very sexy, Keisha, Becky How many L's did I take this year? And how many times did I buck your chicky? Had a cap on my head like 50 When I gave wood to your girl, that's dicky And I didn't wanna holla at Becky So I went Brighton and holla'd at Brittany And how many chicks did I swipe? Top of my head, I think about fifty And I don't really wanna hear nonsense Man send one text to your female Now the bad B come looking like custard Slim t'ic with the back come detail Give her back shot, two-two, now she loved it And the ting come quick like a e-mail Make bell don got brain and he cuffed it J bun up the place like a moshpit, viral Now I got fans in Boston Two stepped to the dance all saucy One gun lean, man did it like Russ did And everyone wanna link Keisha, Becky, ease up, likkle man stop it Bad B from kway called Lisa, shit den, wanna take wood cah I'm popping Everyday I give thanks for the blessings But I repent for numerous cheffings If you saw the way that I kweffed him Man I weren't shocked that his bredring left him Bet they thought the last verse was a fluke ting Free my broski inside for some bootings Man, I'm boasy Spend racks on a Cuban And my lightskin, brownskin or cute tings Man I love to go west when figured Then I go home, eat bariis and hilib African girl arch back I wan' 'it-it, pounded yam with okra or spinach Snapchat, Camden boy, you're all image White girl, Soul Food, Gaucho, Nobu Mhm-mhm, mhm-mhm, mhm-mhm, mhm-mhm Pull up, pull up and dump off, dump off Twist up your waist and jump off, jump off Free up, free up that number Oh my God, look at that bumper Wha' the bomba? (Mhm-mhm) Drip like my chain, shake that ass, it's insane Very sexy, Keisha, Becky Jay S, Jay S They ain't made for the shit, they're soft I've done future, first think last Only man want talk about drill They do drill rap but ain't got no heart All the things man seen and done in the field Nigga you won't know the half And bro told me he just done that bait So now he's in a petrol bath Bro backed it, I told him dump off, dump off Before I back it, they run off Hit the once, you can't be my lover HMP, free up my brother Ambush I got my block jumpy, jumpy Gyal on me, man they love me Two gyal, who's holding this brucky? Oh my god, look at that bumsi (Nine-nine-nine) See my guy got bagged for the chinging The grind don't stop so we see this dough I told bro just slap it in reverse With a petrol can and burn them clothes A9 got caught with the grub, oh my So he's looking like two do one And I pray for my life that they ride In front the jakes so the whole tings done Big up my chocolate darling, true say, she lost the plot Doing up Gucci gang with her nails on fleek as she whips that pot My bro just reading the amm Take that to the OT spot Like we was fifteen when we had the whole 9 block like Wizard of Oz See, back the beef, you get got G Nine side, we're on top B Becky come and then slop me And Keisha mad cah she's on me Back the beef, you get got G Nine side, we're on top B Becky come and then slop me And Keisha mad cah she's on me Pull up, pull up and dump off, dump off Twist up your waist and jump off, jump off Free up, free up that number Oh my God, look at that bumper Wha' the bomba? (Mhm-mhm) Drip like my chain, shake that ass, it's insane Very sexy, Keisha, Becky

Características de Keisha & Becky (Remix)

0.47
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.25
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.86
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.12
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-9.54
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.48
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.64
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).