>Canciones >Close to the Edge: I. The Solid Time of Change, II. Total Mass Retain, III. I Get Up I Get Down, IV. Seasons of Man

Close to the Edge: I. The Solid Time of Change, II. Total Mass Retain, III. I Get Up I Get Down, IV. Seasons of Man

Yes

rock

Close to the Edge: I. The Solid Time of Change, II. Total Mass Retain, III. I Get Up I Get Down, IV. Seasons of Man
Reproducciones
0
Popularidad
42
Tiempo desde su lanzamiento
52.3 años
Fecha de estreno: 13/09/1972
Tempo
81
BPM
Compás
3/4
Tonalidad
Fa mayor
Duración
18:42
Camelot
7B

Escuchar en Spotify

Para añadir esta canción a la cola de Spotify, inicia sesión

Vídeo

Letra

A seasoned witch could call you From the depths of your disgrace And rearrange your liver To the solid mental grace And achieve it all with music That came quickly from afar Then taste the fruit of man Recorded losing all against the hour And assessing points to nowhere Leading every single one A dewdrop can exalt us Like the music of the sun And take away the plain In which we move and choose the course you're running Down at the edge, round by the corner Not right away, not right away Close to the edge, down by a river Not right away, not right away Crossed the line around the changes of the summer Reaching out to call the colour of the sky Passed around a moment clothed in mornings Faster than we see Getting over all the time I had to worry Leaving all the changes far from far behind We relieve the tension only to find out The master's name Down at the end, round by the corner Close to the edge, just by a river Seasons will pass you by I get up, I get down Now that it's all over and done Now that you find, now that you're whole My eyes convinced, eclipsed With the younger moon attained with love It changed as almost strained Amidst clear mana from above I crucified my hate and held The word within my hand There's you, the time, the logic Or the reasons we don't understand Sad courage claimed the victims Standing still for all to see As armoured movers took Approached to overlook the sea There since the cord, the license Or the reasons we understood will be Down at the edge, close by a river Close to the edge, round by the corner Close to the end, down by the corner Down at the edge, round by the river Sudden call shouldn't take away the startled memory All in all, the journey takes you all the way As apart from any reality that you've ever seen and known Guessing problems only to deceive the mention Passing paths that climb halfway into the void As we cross from side to side, we hear the total mass retain Down at the edge, round by the corner Close to the end, down by a river Seasons will pass you by I get up, I get down In her white lace You could clearly see the lady sadly looking Saying that she'd take the blame For the crucifixion of her own domain I get up, I get down I get up, I get down Two million people barely satisfy Two hundred women watch one woman cry, too late The eyes of honesty can achieve (She would gladly say it amazement of her story) How many millions do we deceive each day? (Asking only interest could be laid Upon the children of her domain) I get up, I get down I get up, I get down In charge of who is there in charge of me (She could clearly see the lady sadly looking) Do I look on blindly and say I see the way? (Saying that she'd take the blame For the crucifixion of her own domain) The truth is written all along the page (She would gladly say it amazement of her story) How old will I be before I come of age for you? (Asking only interest could be laid Upon the children of her domain) I get up, I get down I get up, I get down I get up, I get down I get up, I get down I get up, I get down The time between the notes Relates the color to the scenes A constant vogue of triumphs Dislocate man, so it seems And space between the focus Shape ascend knowledge of love As song and chance develop time Lost social temperance rules above Ah, ah Then according to the man Who showed his outstretched arm to space He turned around and pointed Revealing all the human race I shook my head and smiled a whisper Knowing all about the place On the hill we viewed the silence of the valley Called to witness cycles only of the past And we reach all this with movements In between the said remark Close to the edge, down by the river Down at the end, round by the corner Seasons will pass you by Now that it's all over and done Called to the seed, right to the sun Now that you find, now that you're whole Seasons will pass you by I get up, I get down I get up, I get down I get up, I get down I get up

Características de Close to the Edge: I. The Solid Time of Change, II. Total Mass Retain, III. I Get Up I Get Down, IV. Seasons of Man

0.60
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.27
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.22
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.15
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.41
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-10.92
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.06
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.25
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).