>Canciones >Return Of The B-Boy

Return Of The B-Boy

Mr. Lif

hip-hop/rap

Return Of The B-Boy
Reproducciones
0
Popularidad
1
Tiempo desde su lanzamiento
9.0 años
Fecha de estreno: 27/11/2015
Tempo
116
BPM
Compás
4/4
Tonalidad
Do# mayor
Duración
7:36
Camelot
3B

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Vídeo

Letra

Seconds after I have been swept off my feet Open through the doors and in steps the beat Complete with medical packs and four fours Looked at me and said "Damn this nigga need God&" Bored, apart in the streets he got beat The meat, a disenfranchised he left wheat Me, these images I couldn't ignore Personas of the rhythm who just walked through the store This man's slim, sported a red glim, noticing damage within We remove bullets and pack skin The kickdrum slur reopen my eyes, he say don't worry At the clerk he say don't fire rounds in the flurry And I have bad, tied the hostages with his gat Told 'em break the fuck out and never look back They have the form like Miyagi for the kamikaze Then they got me walking out pass the local paparazzi I see y'all re animated, sure kick get damned a flavor We came to save ya and we came to, pull back the data I repay a major situation across town, my music is lost sound Cause they had us locked down. They meaning sucka rappers had us heard past Comic clowns who be making shit sounds and laughs Then they facing masteries, just fittin' lack of pieces Whats dope and hope that we accept the wack atheists, Jesus Where's the chamber? Allow me the become the scum rearranged uh They said "focus ya anger" and bring the rhymes that you wrote Because these folks will hang ya I accepted their concerns turn to him and said "Fuck that written shit I'll flip that kid off the head" What about the feds? Ayo we left them a decoy We didn't want the beats to know we brought back the B-Boy Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip hop is so wack, the beats are fighting back And I was sent to attack, so I'm following the map X's mark the rappers out with two head with Ferocious cademies that only need with the next spliff Step by step I'm headed toward the set to analyze the threat And make him regret, the day that we met I suspect he got a smooth box, I head into the rooftops Where I'll make me strategy so I can splatter them They were only half of them, five less rappers alive So we can vibe the stand and then, dope they didn't coincide They were half religious, and vicious, with dark wishes Which is to assure the core of hip hop which is snitches I dropped dimes on how to travel back in time So they can melt and miss the nine pioneers patterns to rhyme And I'm furious, seething at what I'm seeing Soon those niggaz won't be breathing Ive seen what I got so I'm leaving Cause I wanna, set up to stop up for the evening Niggaz hopped on my shit-list with a swiftness I'm about to rip this, come fear witness Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Hip, Hip-Hop (I'm a bring it back) Mic Check! We had ill static, over illmatic, I reached for it This nigga said I couldn't have it So tragic they try to counter my magic, I'm rabid I reached for his fuckin' face and grabbed it Nigga, how the fuck did you figure You can Interfere with the music so potent That I need to just go for a moment Before I moved on. Then I heard two songs Spit flavor from those head up the 36 chambers I'm about to bring this nigga danger He was elusive, an Uncle Tom carry a nuisance Strong and spiritually useless I gave him flashbacks, of niggaz gettin' treated like lab rats Beatin' with sticks and straps Hidden with conscience, held a mirror up to his face The motherfucker jetted out of the place Who's next to get me vexed this rapper making idle threats Claiming that he got contacts, I stepped to him slow Looked deep in his eyes, see another person was within him 'Cause he's living a lie A rap nearly operation Told him that man was not meant to leave earth's population These talks left him pacing, now he suffers from brain disintegration No thoughts or information, it started raining visibility low This had no effects on my abilities though To murder an MC is standing procedure Looked and see this cat gone follow the leader But I'm a cheater, the abdomen and chester leader The primary feature, my intense earth to to bleed ya All this blood stream, and I'm steadily aiming To find the next nigga for naming Thats when the death sticks came in, hand me This mega large nigga tried to brand me I thought the mega blast to enemies Then my mind aged to centuries Futuristic data, for a complex matter This power left to cater, I can compete with the equator Smiled I can see him through the earth's vapors Looked him up and down, as we walked toward solid ground What mind, jaw dropped looked what I found Classics like Tribe Called Quest, De La Soul, EMPD and Run DMC But when we get three feet Criminal mind takes a nation a mill, Time to kill Run DMC self titled, this nigga my arch rival Survival, not liable, got up close and what I signed couldn't believe My enemy was a genetic replica of me That means self is the biggest tour It could me the bigger fall, a truly vicious type of war So now I'm thrown off, taken back to back, I didn't know how to react To lack a plan of attack, but it was in full effect, connect He didn't affect my intellect, but thoughts I couldn't accept Images of my grandmother in that old folks home Became Very vivid in my dome, this method of rap is telepathic Damage of my mental fabric, hell a vibe or I have it Criminal I can't stand it, or understand it yet my torture was expanded By thoughts that he commanded, had a vision of my uncle sitting down By himself, meanwhile he's breaking down my physical health Chronicle inseparable thoughts, to my head 98 percent of which were absorbed by my dreads The other 2 percent I accepted, just so I can feel the heat again Had a vision of my defeat of him So now I'm back, strapped and intact Increasing my brain waves to maximum impact Thoughts were unholy, slowly up he looked me up and down coldly Like I'm the motherfuckin' chrome be And I am damned I dropped the mic from my hand Saw some open land so I ranned But as the gem has past hearts, my man had blast shots Blood clots stopped circulation from my nog My ego's dead my humiliation to mumble feeble shit Suddenly had a dream of desert eagle clips So who's me, maybe this Uzi, cold hard and steel With a sign that says use me I call on Susie, and tell what you see Usually, I wouldn't let a biter confuse me Much of this instance, make a difference So started to think with, the innocence fit infants incents of incest Burn in incense, I'm intense Funny how the powerful scent just dents his senses Don't even comment on the senses, I sent this razor sharp tone To relentless, sequences that leap fences Beating all human kind to defenseless So I shift for, never sick for With a swift sword, clipped and flipped this mic for Speechless, never with weakness He tried to use the heat of his desire to beat Lif Be my guest, take a guess who was left to mess And at peace request I summoned the sun to burn a hole in his chest

Características de Return Of The B-Boy

0.83
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.15
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.59
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.20
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-3.66
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.32
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.75
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).