>Canciones >Doo Wop (That Thing)

Doo Wop (That Thing)

Ms. Lauryn Hill

r&b/soul

Doo Wop (That Thing)
Reproducciones
0
Popularidad
74
Tiempo desde su lanzamiento
26.3 años
Fecha de estreno: 25/08/1998
Tempo
100
BPM
Compás
4/4
Tonalidad
Re menor
Duración
5:21
Camelot
7A

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Vídeo

Letra

Yeah I wanna take y'all back to the old days When I used to be around my grandmother's house Used to go I can remember when I used to ride Ride down the street from my grandmother's block Ladies where ladies and men would be men How can we get back to those days again? Those days again Those days again Those days again Back in the day we used to drop records like this Y'all know this one? Y'all know this one? It's been three weeks since you were looking for your friend The one you let hit it and never called you again 'Member when he told you he was 'bout the benjamins? You act like you ain't hear him, then give him a little trim To begin, how you think you're really gon' pretend Like you wasn't down and you called him again Plus when you give it up so easy you ain't even foolin' him If you did it then, then you'd probably fuck again Talking out your neck, sayin' you're a Christian A Muslim sleeping with the gin Now that was the sin that did Jezebel in Who you gon' tell when the repercussions spin? Showing off your ass 'cause you thinkin' it's a trend, girlfriend Let me break it down for you again You know I only say it 'cause I'm truly genuine Don't be a hard rock when you really are a gem Baby girl, respect is just a minimum Yo, he's messed up and you still defending him now Lauryn is only human Don't think I haven't been through the same predicament Let it sit inside your head like a million women in Philippines Silly when girls sell their souls because it's in Look at where you be in, hair weaves like Europeans Fake nails done by Koreans (Come again) (Come again, come again) My sistren come again Brethren come again Girls, you know you better (watch out) Some guys, some guys are only (about) That thing, that thing, that thing That thing, that thing, that thing Second verse is dedicated to the men More concerned with his rims and his Timbs than his women Him and his men, come in the club like hooligans Don't care who they offend, poppin' yang (like you got yen) Let's not pretend, the one that pack pistols by his waist men Cristal by the case men, still in they mother's basement The pretty face men claiming that they be the big men Need to take care of they three or four kids They face a court case when the child support's late Money taking, heart breaking You wonder why they hate men Sleepy, silent men Punk, domestic violence men The quick to shoot the semen, stop acting like boys and be men How you gon' win, when you ain't right within? How you gon' win, when you ain't right within? How you gon' win, when you ain't right within? Come again Come again (come gain) Come again (come gain) Come again, come again (come gain) Come again (come gain) Watch out, watch out Look out, look out Watch out, watch out Look out, look out (Pick it up now) Watch out, watch out Look out, look out Watch out, watch out (Pick it up) Look out, look out Girls, you know you better watch out Some guys, some guys are only about That thing, that thing, that thing That thing, that thing, that thing Girls, you know you better watch out Some guys, some guys are only about That thing, that thing, that thing That thing, that thing, that thing We said things don't change And you know them not pretty We said people don't change And you know them gone crazy That thing, that thing, that thing That thing, that thing, that thing

Características de Doo Wop (That Thing)

0.51
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.04
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.54
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.09
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-8.93
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.24
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.49
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).