>Canciones >Land

Land

Patti Smith

rock

Land
Reproducciones
0
Popularidad
32
Tiempo desde su lanzamiento
49.8 años
Fecha de estreno: 13/12/1975
Tempo
149
BPM
Compás
4/4
Tonalidad
La mayor
Duración
9:29
Camelot
11B

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Vídeo

Letra

The boy was in the hallway drinking a glass of tea From the other end of the hallway a rhythm was generating Another boy was sliding up the hallway He merged perfectly with the hallway, He merged perfectly, the mirror in the hallway The boy looked at Johnny, Johnny wanted to run, But the movie kept moving as planned The boy took Johnny, he pushed him against the locker, He drove it in, he drove it home, he drove it deep in Johnny The boy disappeared, Johnny fell on his knees, Started crashing his head against the locker, Started crashing his head against the locker, Started laughing hysterically When suddenly Johnny gets the feeling he's being surrounded by Horses, horses, horses, horses Coming in in all directions White shining silver studs with their nose in flames, He saw horses, horses, horses, horses, Horses, horses, horses, horses. Do you know how to pony like bony maroney Do you know how to twist, well it goes like this, it goes like this Baby mash potato, do the alligator, do the alligator And you twist the twister like your baby sister I want your baby sister, give me your baby sister, Dig your baby sister Rise up on her knees, do the sweet pea, do the sweet pee pee, Roll down on her back, got to lose control, got to lose control, Got to lose control and then you take control, Then you're rolled down on your back and you like it like that, Like it like that, like it like that, like it like that, Then you do the watusi, yeah do the watusi Life is filled with holes, Johnny's laying there, his sperm coffin Angel looks down at him and says, "Oh, pretty boy, Can't you show me nothing but surrender?" Johnny gets up, takes off his leather jacket, Taped to his chest there's the answer, You got pen knives and jack knives and Switchblades preferred, switchblades preferred Then he cries, then he screams, saying Life is full of pain, I'm cruisin' through my brain And I fill my nose with snow and go Rimbaud, Go Rimbaud, go Rimbaud, And go Johnny go, and do the watusi, oh do the watusi There's a little place, a place called space It's a pretty little place, it's across the tracks, Across the tracks and the name of the place is you like it like that, You like it like that, you like it like that, you like it like that, And the name of the band is the Twistelettes, Twistelettes, Twistelettes, Twistelettes, Twistelettes, Twistelettes, Twistelettes, Twistelettes Baby calm down, better calm down, In the night, in the eye of the forest There's a mare black and shining with yellow hair, I put my fingers through her silken hair and found a stair, I didn't waste time, I just walked right up and saw that Up there -- there is a sea Up there -- there is a sea Up there -- there is a sea The sea's the possibility There is no land but the land (Up there is just a sea of possibilities) There is no sea but the sea (Up there is a wall of possibilities) There is no keeper but the key (Up there there are several walls of possibilities) Except for one who seizes possibilities, one who seizes possibilities. (Up there) I seize the first possibility, is the sea around me I was standing there with my legs spread like a sailor (In a sea of possibilities) I felt his hand on my knee (On the screen) And I looked at Johnny and handed him a branch of cold flame (In the heart of man) The waves were coming in like Arabian stallions Gradually lapping into sea horses He picked up the blade and he pressed it against his smooth throat (The spoon) And let it deep in (The veins) Dip in to the sea, to the sea of possibilities It started hardening Dip in to the sea, to the sea of possibilities It started hardening in my hand And I felt the arrows of desire I put my hand inside his cranium, oh we had such a brainiac-amour But no more, no more, I gotta move from my mind to the area (Go Rimbaud go Rimbaud go Rimbaud) And go Johnny go and do the watusi, Yeah do the watusi, do the watusi ... Shined open coiled snakes white and shiny twirling and encircling Our lives are now entwined, we will fall yes we're together twining Your nerves, your mane of the black shining horse And my fingers all entwined through the air, I could feel it, it was the hair going through my fingers, (I feel it I feel it I feel it I feel it) The hairs were like wires going through my body I I that's how I That's how I I died (At that Tower of Babel they knew what they were after) (They knew what they were after) Moved up I tried to stop it, but it was too warm, too unbelievably smooth, Like playing in the sea, in the sea of possibility, the possibility Was a blade, a shiny blade, I hold the key to the sea of possibilities There's no land but the land Looked at my hands, and there's a red stream That went streaming through the sands like fingers, Like arteries, like fingers (How much fits between the eyes of a horse?) He lay, pressing it against his throat (your eyes) He opened his throat (your eyes) His vocal chords started shooting like (of a horse) Mad pituitary glands The scream he made (and my heart) was so high (my heart) Pitched that nobody heard, No one heard that cry, No one heard (Johnny) the butterfly flapping in his throat, (His fingers) Nobody heard, he was on that bed, it was like a sea of jelly, And so he seized the first (His vocal chords shot up) (Possibility) (Like mad pituitary glands) It was a black tube, he felt himself disintegrate (There is nothing happening at all) And go inside the black tube, so when he looked out into the steep Saw this sweet young thing (Fender one) Humping on the parking meter, leaning on the parking meter In the sheets There was a man Dancing around To the simple Rock & roll Song

Características de Land

0.64
Energía

La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.

0.07
Acústica

Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.

0.48
Bailable

La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.

0.00
Instrumental

Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.

0.28
Directo

Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.

-11.19
Volumen

La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.

0.27
Hablado

'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.

0.59
Positividad

Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).