>Canciones >First Person Shooter (feat. J. Cole)

First Person Shooter (feat. J. Cole)

J. ColeDrake


First Person Shooter (feat. J. Cole)
Tiempo desde su lanzamiento
8.6 meses
Fecha de estreno: 06/10/2023
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(Pew, pew-pew) First-person shooter mode, we turnin' your song to a funeral To them niggas that say they wan' off us, you better be talkin' 'bout workin' in cubicles Yeah, them boys had it locked, but I knew the code Lot of niggas debatin' my numeral Not the three, not the two, I'm the U-N-O Yeah Numero U-N-O Me and Drizzy, this shit like the Super Bowl Man, this shit damn near big as the- Big as the what? Big as the what? Big as the what? Big as the Super Bowl But the difference is it's just two guys playin' shit that they did in the studio Niggas usually send they verses back to me, and they be terrible, just like a two-year-old I love a dinner with some fine women when they start debatin' about who the G.O.A.T I'm like go on 'head, say it then, who the G.O.A.T.? Who the G.O.A.T.? Who the G.O.A.T.? Who the G.O.A.T.? Who you bitches really rootin' for? Like a kid that act bad from January to November, nigga, it's just you and Cole Big as the what? Big as the what? Big as the what? (Ayy) Big as the Super Bowl Niggas so thirsty to put me in beef Dissectin' my words and start lookin' too deep I look at the tweets and start suckin' my teeth I'm lettin' it rock 'cause I love the mystique I still wanna get me a song with YB Can't trust everything that you saw on IG Just know if I diss you, I'd make sure you know that I hit you like I'm on your caller ID I'm namin' the album The Fall Off, it's pretty ironic 'cause it ain't no fall off for me Still in this bitch gettin' bigger, they waitin' on the kid to come drop like a father to be Love when they argue the hardest MC Is it K-Dot? Is it Aubrey? Or me? We the big three like we started a league, but right now, I feel like Muhammad Ali Huh, yeah, yeah, huh-huh, yeah, Muhammad Ali The one that they call when they shit ain't connectin' no more, feel like I got a job in IT Rhymin' with me is the biggest mistake The Spider-Man meme is me lookin' at Drake It's like we recruited your homies to be demon deacons, we got 'em attending your wake Hate how the game got away from the bars, man, this shit like a prison escape Everybody steppers, well, fuck it, then everybody breakfast And I'm 'bout to clear up my plate (huh, huh, huh) When I show up, it's motion picture blockbuster The G.O.A.T. with the golden pen, the top toucher The spot rusher, sprayed his whole shit up, the crop duster Not Russia, but apply pressure To your cranium, Cole's automatic when aimin' 'em With The Boy in the status, a stadium Nigga Ayy, I'm 'bout to, I'm 'bout to I'm 'bout to, yeah Yeah I'm 'bout to click out on this shit I'm 'bout to click, whoa I'm 'bout to click out on this shit I'm 'bout to click, whoa I'm down to click down you hoes and make a crime scene I click the trigger on the stick like a high beam Man, I was Bentley wheel whippin' when I was 19 She call my number, leave her hangin', she got dry-cleaned She got a Android, her messages is lime green I search one name, and end up seein' 20 tings Nadine, Christine, Justine, Kathleen, Charlene, Pauline, Claudine Man, I pack 'em in this phone like some sardines And they send me naked pictures, it's the small things You niggas still takin' pictures on a Gulfstream My youngins richer than you rappers and they all stream I really hate that you been sellin' them some false dreams Man, if your pub was up for sale, I buy the whole thing Will they ever give me flowers? Well, of course not They don't wanna have that talk, 'cause it's a sore spot They know The Boy, the one they gotta boycott I told Jimmy Jam I use a GRAMMY as a door stop Girl gave me some head because I need it And if I fuck with you, then after I might eat it, what? Niggas talkin' 'bout when this gon' be repeated What the fuck, bro? I'm one away from Michael Nigga, beat it, nigga, beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, what? Beat it, ayy, beat it, what? Don't even pay me back on none them favors, I don't need it

Características de First Person Shooter (feat. J. Cole)


La energía es una medida que va desde 0.0 hasta 1.0 y representa una medida perceptual de intensidad y actividad. En general, las pistas energéticas parecen rápidas, fuertes y ruidosas. Por ejemplo, el death metal tiene una alta energía, mientras que un preludio de Bach puntúa bajo. Las características perceptuales que contribuyen a este atributo incluyen el rango dinámico, la percepción de la intensidad, el timbre, la tasa de inicio y la entropía general.


Una medida de confianza de 0.0 a 1.0 que indica si la pista es acústica. Un valor de 1.0 representa una alta certeza de que la pista es acústica.


La 'bailabilidad' describe cuán adecuada es una canción para bailar, basándose en una combinación de elementos musicales que incluyen el tempo, la estabilidad del ritmo, la fuerza del ritmo y la regularidad en general. Un valor de 0.0 es la menos adecuada para bailar y 1.0 es la más adecuada.


Predice si una pista carece de elementos vocales. Así, los sonidos de 'Ooh' y 'aah' son considerados instrumentales. Pistas de rap o de palabras habladas son inequívocamente identificadas como 'vocales'. Si valor de instrumentalidad se acerca a 1.0, es más probable que la pista no contenga contenido vocal. Valores > 0.5 indican claramente pistas instrumentales, y la confiabilidad se incrementa a medida que el valor se acerca a 1.0.


Detecta la presencia de público en la grabación. Valores de 'directo' más elevados indican una probabilidad mayor de que la pista se haya interpretado en vivo. Un valor superior a 0.8 ofrece una alta probabilidad de que la pista sea en en directo.


La sonoridad general de una pista en decibelios (dB). Los valores de sonoridad se promedian en toda la pista y son útiles para comparar la sonoridad relativa de las pistas. La sonoridad es la cualidad de un sonido que constituye el correlato psicológico primario de la fuerza física (amplitud). Los valores generalmente oscilan entre -60 y 0 dB.


'Hablado' detecta la presencia de palabras habladas en una pista. cuanto la pista más se parezca al habla (por ejemplo, un programa de entrevistas o audiolibros), más cercano a 1.0 será el valor del atributo. Valores por encima de 0.66 describen pistas que probablemente estén compuestas completamente por palabras habladas. Valores entre 0.33 y 0.66 denotan que pueden contener tanto música como habla, incluyendo casos como la música rap. Valores por debajo de 0.33 probablemente representan música y otras pistas que no se asemejan al habla.


Una medida de 0.0 a 1.0 que describe la positividad musical transmitida por una pista. Las pistas con un alto valor suenan más positivas (por ejemplo, alegres, felices, eufóricas), mientras que las pistas con un valor bajo suenan más negativas (por ejemplo, tristes, deprimidas, enojadas).

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